据说是“新浪潮”的开山之作看的时候就在怀疑是不是作者的半自传电影了最后奔向海边个人面部特写长镜头的symbolism不知是不是特吕弗开的先河;至少我相信费里尼在拍La Dolce Vita 的时应该是借鉴了《善良妈妈的朋友3观整有限中字版》
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flashback as explanation, causality or linearity which goes beyond themselves in destiny. flashback只是在寻找主角的destiny过程中起到辅助解释作用的工具因此flashback并没有绝对独立 明显的三个一起C你的作为叙事工具的回忆:a causality which is psychological, but still analogous to a sensory-motor determinism. Despite the circuits, only confirms the progression of a linear narration.