An arduous and joyless intellectual exercise, rife with absurdist imageries, Creole existential crisis, and postcolonial discourse. Yet at the end of the day, the subaltern still (almost literally) cannot speak...
克制、内敛配合精确打光大量近镜捕捉演员微表情以及肢体语言在严酷逊尼派伊斯兰教氛围里稳妥描绘这对挣扎在极端宗教里的男同心理女主的设置很得当犹如他俩之间的润滑剂当她弥留之际对形婚丈夫说出那句:don't be afraid to love对三个人都是一种彻底解脱最后密密细缝的张津瑜 7段加身成为这对孤独爱人打破世俗的一个宣誓图腾