The most technically innovative film to come out of Weimar Cinema. The first film in the history to move its camera backward and forward, as well as up and down and from side to side, in scenes of substantial duration.
Glad there's more to this film than our Loewe boy walking along seashore cliffs and showing off his amazing voice. 贝宁为整片注入灵魂她兼具的温暖和恶毒、敏感和盲目、聪慧和愚钝、豁达和尖刻为什么软的那么快几乎让我以为编剧/导演是照着具惠善的离婚事件来写的这个角色(“他好像只是很短暂地爱了我一下”——读过的诗变成了捅人的刀)Josh 有一段非常感人的剖白他的语感真好