叙事太牛逼了老夫亲Dick的三次死亡演绎和在影棚里的幻想片段是对纪录片人为设计和引导性合理化的最妙佐证为了不让自己再次严肃地对待第二位即将因阿尔兹海默症离去的亲人Kirstin和她的父亲决定用戏谑的方式直面死亡、笑对死亡生死无常享受当下就好咯就如Dick一边挖着朱古力雪糕一边感叹:Life is good.
shed a few tears at the end) tbh I thought Dick actually died and his footage was an artistic choice to juxtapose the flashbacks, but when Dick’s face reappears, I felt like I was fooled. Nevertheless, the ambiguity builds up the suspense and highlights the essence of the film - a palette of playfulness, fear, sincerity, and nostalgia.