达顿家族托荒史两天看完两天后都没写出评论那种宏阔通达的诗意与悲悯感觉很难用精炼的词句表达唯一会让观众走神儿的大概是旁白却也说不上多余全程能感受到她视角的体验与成长以至于结尾进入寂然的悲伤让人豁然开朗的台词很多现阶段印象最深的大概是Shea劝慰不断挖地的崩溃牛仔那句:“What the hell is decent out here,what’s the gauge? You’re the gauge. You made a decision. Now stand by it. Right or wrong, you fucking stand by it.”
a new Asian minimalism with excessive dialogues? 更像是趋近一种(电影与文学之间的)戏剧()三部更关键的共通线索大概是storytelling并根本上被radicalized为一种随时开放给犹疑分叉、转折迂回、假意又真情的展演流程第一部结尾略显僵硬第二部结尾很狗血第三部最佳 with great reparative power.@2021HKIFF香港文化中心